Inscription Machine- Special Serie
3
Frequency
Inscription Machine is a transdisciplinary proposal. It is a radio program that is also an artistic-poetic-creative process in motion and its production is conceptually refined and fine-tuned by the awareness of the possibility of exploring the unlimited creative abundance present in the flows and delicacies that synchronicities constantly propose to us.
We value encounters and the power that manifests from them. We realize and believe that the contact between universes of research focused on the construction of languages, drives the articulation of partnerships that expand the horizons of creation.
The special series - Frequency 3 is a collaboration between Paloma Klisys and the multi-artist Cíntia Molter. Paloma and Cíntia met each other on the streets, territory much prized by both artists as a space for interaction with random audiences, and through a sequence of events that involved the own Inscription Machine, street poetry movements, and movements of theater and cinema.
Special series Frequency 3
Frequency 3 is an international collab between artists Paloma Klisys and Cíntia Molter. It is a translingual proposal of hybrid content production that mixes sound art (radio art), photography, film, video art, poetry and live performance.
The word frequency suggests the desire to enter and be in
in tune, which is mainly why we chose it.
We add to this the use of the number 3 in reference to first
second and third person and the way human relationships are established are established. From the first person we access the other (second person) and we are inevitably led to get in touch with the collective (third person with the collective (third person plural), the we.
To the number 3 many mystical and magical meanings have been attributed in different and magical meanings in different cultures throughout the history of and to play with this is something that is interesting to feed, in a poetic way, the creative process.
The proposal is a work in progress that contemplates the production of three podcasts (radio art) throughout the year 2023, open to the collaboration to the collaboration of Brazilian, Cuban, Latin American artists and researchers, and may include the participation of collaborators working in other territories.
The polyphony, the multiplicity of subjective views in relation to the world the world, the diversity of ways of being, of feeling, of thinking, of to exist, to produce art and knowledge are the main sources of raw material of raw material for the realization of this artistic/poetic process that is already in progress.
Frequency 3 is an anthropophagic research/investigation that operates as a launching pad for poetic and reflective provocations/propositions with the aim of creating possibilities for cultural exchange, interaction and artistic creation.
The project proposes the exercise of ways of communicating that go beyond the purely rational discourse and that propose an unconventional listening.
It is precisely from the provocation, the listening and the opening to the resonances of the "outside", that the execution of actions will take place in order to provoke new connections with the goal of generating artistic/poetic/reflective content, to spread discussions related to behavior, production of subjectivity, challenges of contemporaneity, cultural exchange and production, philosophy, politics, activism, technologies and education.
The main objective is to work artistically with various discursive layers in order to direct the production of transmedia/translingual content through contact/contagion with the research universe of other artists, collaborators, researchers to be activated throughout the creative process.
FREQUENCY 3
{[( Topos, Kósmos, Kairós )]}
The word frequency suggests the desire to get in and be in tune, which is essentially why we chose it.
The concept of radio frequency serves to designate the frequencies of the electromagnetic spectrum used in radio communications. Radio frequency waves are very present in our daily lives in audio transmissions, television, internet, etc.
Radio frequency comprises the electromagnetic spectrum that ranges from 3 kilohertz to 300 gigahertz.
To substantiate the modus operandi and the focus of the production of content related to this proposal, we chose to articulate the use of the word frequency with three other concepts that assist us in highlighting characteristics that will determine the editorial and propositional line of this special series:
Tópos - from the Greek tópos, "place." The concept allows us to make explicit that, for us, it is essential to recognize the specificities of each territory. From the word topos we can also play with the concept of utopia, which in turn comes from u-topos, meaning "without place".
Modestly we propose to operate as a space where freedom is exercised, a space where utopias can be fabricated.
Kósmos - the set of everything that exists from the microcosm to the macrocosm, from the stars to the subatomic particles. From the Greek - Kósmos, which also means beauty, order, organization, harmony.
Kairós - is the non-linear time. The concept of Kairos provokes us to exercise a broader perception in relation to the passage of time, going beyond the reading of time as a purely chronological time.
The notion of the linear passage of time articulated with the concept of Kairos provokes us to deal with the time factor in such a way as to give special attention to cycles and to the time of intensities.
One of the possible readings of the term kairós is opportune time, that which makes something special, memorable, not necessarily in quantitative terms but in relation to the meaning attributed to the events.
By using the three concepts described above we highlight and reaffirm the desire and the desire to experience a deep creative freedom with an especially attentive look at singularities.
We add to this the use of the number 3 in reference to the first, second and third person and to the way human relationships are established. From the first person we access the other (second person) and are inevitably led to contact the collective (third person plural), the we.
The number 3 has been attributed many mystical and magical meanings in different cultures throughout the history of humanity, and playing with this is something that interests us in order to feed the creative process in a poetic way.
The chilean filmmaker, poet, actor, and writer Alejandro Jodorowsky registered in one of his books: "the numbers have a life of their own as different entities. After the 1 (the whole in potential, fundamentally androgynous) and the 2 (accumulation of an experience, essentially receptive), the 3, creative explosion, is the first essentially active number. Doubly active, from life to death, from reproduction, to construction, to the euphoria of living, or even destruction, depression, the implacable transformation that demands the elimination of the old. Its vital aspect carries out the transformation by the hatching of the new".
There are things that we perceive meaning and things to which we give meaning. We continue in the movement of articulating meanings and making them visible to others so that they continue to give new meanings to things, to life, to encounters...
Places {[Topos]} Connections
First, Second and Third Person
How to make the connection between places and people?
How to highlight the connections between places and provoke connections between people?
temporalities, geographies, spaces, languages
Frequency 3 predicts the realization of experiments and creative provocations between artists and collaborators that transit through the most diverse fields of knowledge with the aim of provoking new connections that can generate artistic content.
Singular connections and collective games with creative possibilities
Listen to the 1st program of the serie
The programs are available on YouTube (with subtitles) and on the main podcast aggregator platforms.
Experimental meetings of collective listening
For the premiere of each episode, the idea is to promote "Experimental Meetings of Collective Listening", connecting various platforms (Discord, Twitter, YouTube, Instagram and Voxels)
The proposal is that after each listening session, listeners can participate in a conversation based on the affections and reflections generated by the content covered in each episode.
Frequency 3 - live
At the end of the publication process of the episodes foreseen in this special series "Frequency 3" and in order to present another form of artistic expression of the content generated over the three years of the creative process, the artists will dedicate themselves to the construction of an audiovisual version to be presented live.
A live presentation with real-time manipulation of sounds and images can be an amazing and engaging experience for the audience. There are many ways to perform in this format, and in the case of "Frequency 3" it involves the use of audio and video manipulation software in conjunction with hardware such as MIDI controllers, mixing desks, and projection devices.
Real-time sound manipulation can include recording and playing live sounds, applying sound effects in real time, and creating new sounds from existing samples and recordings.
Real-time performance includes the display of images, videos, and animations, as well as the application of visual effects and the creation of new images from existing sources.
The projections that make up this work may be mapped in the most diverse urban spaces and cultural equipment that will welcome this proposal.
At the end of the publication process of the episodes foreseen in this special series "Frequency 3" and in order to present another form of artistic expression of the content generated over the three years of the creative process, the artists will dedicate themselves to the construction of an audiovisual version to be presented live.
A live presentation with real-time manipulation of sounds and images can be an amazing and engaging experience for the audience. There are many ways to perform in this format, and in the case of "Frequency 3" it involves the use of audio and video manipulation software in conjunction with hardware such as MIDI controllers, mixing desks, and projection devices.
Real-time sound manipulation can include recording and playing live sounds, applying sound effects in real time, and creating new sounds from existing samples and recordings.
Real-time performance includes the display of images, videos, and animations, as well as the application of visual effects and the creation of new images from existing sources.
The projections that make up this work may be mapped in the most diverse urban spaces and cultural equipment that will welcome this proposal.
TECHNO-ANALOGICAL-ANCESTROFUTURIST
INTERDEPENDENT <> TRANSDISCIPLINARY
TRANSLINGUAL
SINGULAR <> COLLECTIVE <> COLLABORATIVE
TRANSGENERATIONAL
TRANSBORDER
Frequency 3 is a dive, an anthropophagic investigation open to the intervention of artists and researchers from Latin America, Caribbean and other territories
Frequency 3 is an artistic/poetic process, an act of disobedience, an artistic insubservience
artistic insubmissiveness in front of the embargo and beyond
To access the PDF with the project overview and more detailed information about schedule and budget, click on the icon beside.
Frequencia 3 é uma proposta transdisciplinar. É um programa de rádio que também é um processo artístico-poético-criativo em movimento e sua produção está conceitualmente afinada e afiada pela consciência da possibilidade de exploração da inesgotável riqueza criativa presente nos fluxos e nas sutilezas que as sincronicidades constantemente nos propõem.
Valorizamos os encontros e a potência que se manifesta a partir deles. Percebemos e acreditamos no imenso valor do contato/contagio entre universos de pesquisa e linguagens. Desejamos através de nossa produção artistica, contribuir para impulsionar a articulação de parcerias que ampliem mutuamente horizontes de reflexão e criação coletivas.
The special serie - Frequency 3 as previously mentioned is a collab between Paloma Klisys and the multi-artist Cíntia Molter. Paloma and Cíntia met in the street, territory much prized by both artists as a space for interaction with random audiences, and through a sequence of events that involved the very Inscription Machine, street poetry movements, theater and cinema.
Connectors / Vectors
Paloma has dedicated the last two decades to the development of translingual projects and creative processes in which she explores possible intersections between performance/urban interference, the audiovisual and the spoken and written word.
Cíntia Molter graduated at the Buenos Aires film school, was a member of the student body of the Universidad Antropófaga do Teatro Oficina, and has been developing work and creative processes focused on analog photography, short films, and now in immersion at EICTV, one of the most respected film schools in the world.
Both are interested in working to strengthen cultural relations between Latin American and Caribbean cultures.
Paloma Klisys e Cíntia Molter >
Duas investigadoras antropófagas em processo de contaminação/criação translinguagens...
Cíntia foi estudar fotografia com especialização em cinema em San Antônio de los Banos e levou na bagagem um gravador digital e um HD externo para armazenar arquivos. A artista passará os próximos três anos em Cuba. Por lá está em imersão na EICTV com estudantes de diversos lugares do mundo.
Paloma está atualmente em São Paulo e em contato com uma rede de colaboradores da Máquina de Inscrever ativos em diversos territórios. Paralelamente a isto a artista desenvolve um processo criativo de re-conexão ancestral com a Galiza que envolve a comunidade de países de Língua Portuguesa com foco em literatura, poesia contemporânea e produção audiovisual.
In the months leading up to the elections, Brazil faced a troubled process of attempts to destabilize democratic normality and the duo simultaneously found themselves in an extremely complex world scenario, yet with enormous potential for articulation and invention.
Among so many other waves, Frequency 3 is a proposal to seek tuning with and among multiple territories. The proposal took shape from frequencies that circulate through the vast weft of a social fabric permeated by historical processes, and its idealization had to do with a series of accidents and connections at micro and macro levels that culminated until now, Cíntia's emigration to Cuba to study cinema, a country that presents itself as an absolutely singular point, worthy of note and of landing, a "path on the way" that composes the immense patchwork of an affective cartography of ancestral reconnection with Galicia that Paloma had once set in motion.
Frequency 3 is a creative process carried out in an interdependent way.
We are in the process of articulating institutional partnerships, but at this time all financial support is welcome. You can make a donation through PayPal using your credit or debit card.
